For the most part, I've had my fill of undead films. Although classics like 28 Days Later and the early seasons of The Walking Dead were enjoyable, the genre seems mostly depleted at this point. Yet the much-awaited 28 Years Later has been gathering dust in my watchlist for some time. However, Netflix's new Indonesian horror film, The Elixir, managed to defy what I anticipated turning out remarkably entertaining.
Impressive Rhythm and Character Development
One of the film's strongest assets lies in the superb pacing. It begins using a striking initial scene in which a calm family party gets suddenly interrupted by a vehicle crashes right into the guest area. Out of the van, a very undead-looking individual stumbles out and begins attacking the attendees. This dramatic moment is immediately succeeded by a look back, allowing us to observe this household prior to the disaster occurred.
In contrast to many zombie films, The Elixir actually allows viewers sufficient opportunity to become acquainted with the primary characters prior to the chaos begins. We meet Nes, a married mother whose former close friend, Karina, has become married to Nes' father—an obviously awkward dynamic. Naturally, this has predictably caused a rift between the two women. We also see her sibling, Bang, who is good-natured but socially awkward, and who loves playing video games alongside Nes' young son, Raihan. Her spouse, Rudi, seems to have lately been unfaithful to her. This household head consists of her dad, who runs a well-known natural medicine company called Wani Waras, and he appears focused on just two aspects: his business and his marriage to his daughter's ex-best friend. Unsurprisingly, this gathering proves incredibly tense.
Engaged in the Conflict
I became so invested with this household's issues and their interpersonal drama that I nearly overlooked I was watching a horror film—something that could sound like a negative, but ultimately worked well. The Elixir dedicates a considerable amount of the film to showing viewers the identity of every family member represents, and how they contribute to the general dysfunction. This focus on clashing personalities allowed me to relate to the personalities sufficiently to care about their fate—an uncommon feat in a genre which frequently presents individuals only to eliminate them soon after. The Elixir doesn't treat its characters as two-dimensional, disposable victims for a horde of zombies to consume, thus it's a real shock once events finally go wrong.
Reminiscent of Parasite
The initial sequences from the gathering and the multiple household exchanges actually bring to mind the film Parasite, a tale that masquerades like a K-Drama featuring somewhat morbid humor prior to taking a sudden turn toward shocking territory. These introductory scenes aren't centered as much on comedy compared to Parasite, but The Elixir nonetheless provides enough opportunity to settle into its world before everything gets turned upside down.
Original Infection Origin
The film additionally presents a fairly interesting explanation regarding the origin of the contagious transformation. Rather than an accidental lab leak or a type of bioweapon, the source of this contagious disease originates in a new sample from Wani Waras natural medicines developed by her dad. While we do learn a bit about its origins, I wish the film had spent a little more time explaining how Wani Waras transitioned from a reputable supplier of natural treatments to producing a deadly potion that appears to contain an extremely infectious pathogen. Despite the limited context, the impact this affliction has on humans is absolutely repulsive, which I love it. The Elixir's undead prove quick, freaky-looking, and, maybe most disturbingly, constantly grinning. This is a bold choice, yet it succeeds. The Elixir's practical effects and computer graphics are also quite convincing, and are practically certain to provoke a fear of holes.
Resourceful Characters
Even better compared to the gross-out scenes is the cast themselves. Of course, there are a few examples of questionable decision-making (like any any good undead film), however generally, Nes and her relatives show themselves resourceful and sharp. They also don't hesitate to strike a zombie in the head, pierce it with a pitchfork, or beat it over the head with the nearest heavy object they find instead of standing still like prey in headlights while danger approaches.
Realistic Familial Strike
The Elixir doesn't abandon its themes of familial discord when people begin transforming into zombies, which was a pleasantly authentic subversion from the "We don't get along|"We have issues, but since you nearly died so I instantly pardon you for all your mistakes!" trope often seen in apocalyptic movies. It's clear, Nes cares for her relatives and values her husband, Rudi, yet it's equally apparent she remains clinging to resentment regarding his infidelity in their relationship. When the family becomes split up, they decide over the phone to regroup at a nearby location. But when Bang reveals he is unaware the way to the location, Nes unleashes an immense level of irritation on her brother that's clearly been brewing for years. Nes is not perfect, and her family—with all their imperfections—seem realistic and relatable since the movie avoids attempting to push the notion that nearly dying immediately resolves family tensions. This makes those instances when these characters express appreciation for each other feel far more sincere.
Predictable Conclusion
In spite of The Elixir's strong efforts to break new ground, the ending is admittedly a bit formulaic. The Elixir doesn't truly offering up some profound message about family or community, as well. Rather, it's primarily serving up scares. Yet these are effective frights, and since the film gives each character enough room to develop and doesn't punish them for their imperfections, the result proves a captivating and enjoyable
